“These curators have committed themselves to insurrectionist initiatives that are leveling hierarchies, challenging assumptions, countering erasure, promoting the margins over the center, the minority over the majority, as well as positing curatorial “strategies of resistance,” provoking intelligent debate, disseminating new knowledge, which, in the end, offers up signs of hope and affirmation.”
“Theirs is not Affirmative Action curating, it’s intelligent curating.”
“If you don’t believe that the art world is sexist and racist, it’s time for you to come out from under your rock….These are not issues from the past, folks. This is now. We are living and working in an art world that cares little about racism and sexism, a world that appears to pre-date the women’s/civil and LGBTQ rights movements.”
i’m in New York for the holidays. seeing family, friends, and art. i caught another excerpt from Kahlil Joseph’s Shadow Play at the New Museum. per usual, i was blown away.
having watched Black Mary throughout last month, i am so full off this iteration. i can honestly admit that I have a reverence that borders on jealousy for film artists/makers. where and when the visual and the sonic meet is everything. Kahlil has certainly mastered that space while leaving room for the viewer to float, bounce, rock, melt, soak…to BE in that in between.
i could’ve watched this short film all day. i might go back, before i leave for cali, and take it all in again.
here are the sounds for Fly Paper, currently on view at the New Museum. read up on the exhibition and more here.
i’m a lil homesick this week for family and friends back in NYC. “Possibly” is a Afrofuturist escape by the homies, Jazze Belle. every time i watch, i’m soothed by Taylor Simone’s voice, inspired by the visuals, and filled with a boost of heartfelt love for the rooftop scene! i love seeing my friends shine! forever Black joy y’all.