The Linguistic Overlap of Color Theory and Racism | Interview w/Tomashi Jackson

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While studying painting and printmaking at Yale University, Tomashi Jackson noticed that the language Josef Albers used to describe color perception phenomenon, in his 1963 instructional text Interaction of Color, mirrored the language of racialized segregation found in the transcripts of education policy and civil rights court cases fought by Thurgood Marshall and the NAACP Legal Defense and Educational Fund (LDF).

Read more here.

Akwaeke Emezi

Akwaeke Emezi is an Igbo/Tamil writer and video artist based in liminal spaces. She was Born in Umuahia and raised in Aba, Nigeria.  In creating ‘Ududeagu’,  Emezi wanted to invent a piece of visual mythology that examines loss and leaving from multiple perspectives. See more of her work here.

I am particularly interested in the way she use language, time, and personal mythology to sculpt this short.

Too Many Degrees Podcast

I love a good podcast!
Hosted by Carris Adams, Esau McGhee and Jared Richardson, Too Many Degrees is a bi-weekly, hour-long conversation between makers and thinkers. The friends and colleagues come together to talk, laugh and visit the spaces of various multi-hyphenates in the name of contemporary art and culture.
Adams, McGhee and Richardson are also awesome about providing links to the artists and thinkers mentioned on each episode over at the show’s blog.

Check it here: http://www.toomanydegrees.com/tmd-blog.

Adam Pendelton

  • Black Dada is a way to talk about the future while talking about the past. It is our present moment. The Black Dada must use irrational language. The Black Dada must exploit the logic of identity. Black Dada is neither madness, nor wisdom, nor irony, nor naiveté. Black Dada: we are successive. Black Dada: we are not exclusive. Black Dada: we abhor simpletons and are perfectly capable of an intelligent discussion. The Black Dada’s manifesto is both form and life. Black Dada your history of art.

ADAMPEnDLETon,‘BLAcKDADAMAnIfESTo’,2008″

http://adampendleton.net/wp-content/media/pendleton_beasley.pdf

 

  • Pendleton states that the two words merge two ideas: “Dada, meaning ‘yes, yes’ and black as an open-ended signifier.

Thom Donovan, “Adam Pendleton,” Bomb, 114/Winter 2011.

Here’s the video:

 

Arthur Jafa: My Black Death

On the Blackness of Blacknuss (Set)

y’all.

i saw Arthur Jafa’s “Love is the Message, the Message is Death” yesterday. it’s  a 7 min video of found-footage overlayed with Kanye’s “Ultralight Beam.”

along with the press release, there were free pamphlets for visitors – Arthur Jafa: My Black Death – i read it on the subway last night after seeing the show. the link above is the complete set which also features Frantz Fanon, Sylvia Wynter, and W.E.B. DuBois.

mind blown.

the pamphlet touches on picasso, duchamp, polluck and more. it contextualizes their artistic production in relation to african art, black music i.e. jazz and how both (african art + black music) redirected western art practices toward a black aesthetic, yet by way of sponging off the genius and removing black bodies, etc.

it felt like a lot of what we discussed in classes last semester, but of course a vastly different analysis. fingers crossed it travels and we all get a chance to see it soon in the bay or elsewhere.

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Diasporadical Trilogia – Blitz the Ambassador

Blitz the Ambassador just released his fourth studio album Diasporadical. He’s a Ghanaian-American hip-hop and visual artist I’ve been following for a while. The 3 music videos below were each shot in a different location: Accra, Ghana, Brooklyn, USA and Bahia, Brazil. Together they form a 15-minute short film.

“The album title ‘Diasporadical’ was born out of this experience” Blitz explains. ” The radical notion that no matter how fragmented the African diaspora is, the influence of rhythm and spirituality remains largely the same.”

SHINE (prod: IAMNOBODI)

JUJU GIRL

RUNNING